![]() As she moves from verse to pre-chorus to chorus, she lets the seams show, each section finding its own distinct atmosphere with ghostly harmonies, off-time cymbal taps, and, near the end, a hoarse, Fetch the Bolt Cutters wail. Unlike the Great Gatsby roleplay of her early work, all the action takes place in the present day-which we recognize instantly because the opening line goes, “Grenadine, quarantine, I like you a lot/It’s LA, ‘Hey’ on Zoom, Target parking lot.” And while it was once easy to label Lana a pop artist-someone whose songwriting worked with tight structures and hooks, accompanied by fancy videos and dance remixes-“Black Bathing Suit” breaks from any confines. ![]() ![]() ![]() This is all Lana 101.īut there are crucial updates. She writes with a casual sense of fatalism about loneliness (“If this is the end, I want a boyfriend”) and ennui (“When I’m being honest, I’m tired of this shit”), drawing our attention to the titular item of clothing with a sense of focus that, when applied in horror films, generally leads us to believe this object will later be used to identify a body. She self-identifies as a “bad girl,” someone with a price on her head, living on borrowed time. So let’s take this opportunity to check in on the state of her art with a standout track called “Black Bathing Suit.” The subject matter remains in her wheelhouse.
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